Jeffrey Simmons

Visual artist, Seattle, Washington, USA.
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This should keep me occupied for the next week or so. I’m building a shed to store some of the things that are in the garage, with the intention of eventually turning the garage into a painting studio. No idea when I’ll actually be able to afford to do that. Meanwhile, dandelions add a rustic look to the premises.

This should keep me occupied for the next week or so. I’m building a shed to store some of the things that are in the garage, with the intention of eventually turning the garage into a painting studio. No idea when I’ll actually be able to afford to do that. Meanwhile, dandelions add a rustic look to the premises.

Almost ready to go back into the frame.

Almost ready to go back into the frame.

Osith 1999. Oil and alkyd on wood panel, 29.25 x 26.25 inches. Scanned from 35mm transparency.

Osith 1999. Oil and alkyd on wood panel, 29.25 x 26.25 inches. Scanned from 35mm transparency.

Isidore 1999. Oil and alkyd on canvas, 32.25 x 29.5 inches. Scanned from 35mm transparency.

Isidore 1999. Oil and alkyd on canvas, 32.25 x 29.5 inches. Scanned from 35mm transparency.

Putting new hinges on old artwork, August 21, 2014.

Putting new hinges on old artwork, August 21, 2014.

Darker Cluster 2000. Watercolor and colored pencil on paper, 11.25 x 11.25 inches.
This is a much better reproduction of an older painting I posted a week ago. I took it out of its frame to clean the glass and mat board.

Darker Cluster 2000. Watercolor and colored pencil on paper, 11.25 x 11.25 inches.

This is a much better reproduction of an older painting I posted a week ago. I took it out of its frame to clean the glass and mat board.

Untitled (June 22, 1997). Ink and gouache on paper, 11 x 10 inches. A very early work on paper. The black india ink was applied using an airbrush. Scanned from 35mm transparency.

Untitled (June 22, 1997). Ink and gouache on paper, 11 x 10 inches. A very early work on paper. The black india ink was applied using an airbrush. Scanned from 35mm transparency.

Bede 1998. Acrylic paint on resin-impregnated paper (Artboard), 9.25 x 8.5 inches. Scanned from 35mm transparency.

Bede 1998. Acrylic paint on resin-impregnated paper (Artboard), 9.25 x 8.5 inches. Scanned from 35mm transparency.

Abraames 1998. Oil and alkyd on linen, 35.5 x 28 inches. An early rotary work. Scanned from 35mm transparency.

Abraames 1998. Oil and alkyd on linen, 35.5 x 28 inches. An early rotary work. Scanned from 35mm transparency.

Resonator IV 2012. Watercolor on paper, 15 x 10 inches. Greg Kucera Gallery, Inc., Seattle, Washington. An image of this painting in-progress, with preparatory drawing, can be seen here.

Resonator IV 2012. Watercolor on paper, 15 x 10 inches. Greg Kucera Gallery, Inc., Seattle, Washington. An image of this painting in-progress, with preparatory drawing, can be seen here.